On 1 July 2025, the Latinx Theatre Commons (LTC) and HowlRound Theatre Commons transformed the nature of their working relationship. Since 2012, the LTC was a flagship program of HowlRound but now operates independently. Grateful for over a decade of deep relationship with HowlRound and all we have been able to accomplish together, the LTC remains committed to the commons model as a way to implement its programs. To operate as a commons implies an agreement among “commoners” to take responsibility for the care and use of mutually shared resources. In the case of the LTC, the common resource which the LTC seeks to protect, foster, and share is Latine theatre. The commoners are primarily Latine theatre makers and scholars who know well the fields they tend, and how misinformation, discrimination, and colonialism devalue the fruits of their labor, if not threaten their ability to make theatre and professionally thrive. Given the nature of the need for social transformation in the theatre field with regard to its problematic engagement with Latine theatre making and theatre makers, it made sense to take on the work through an approach that defied the status quo.
HowlRound Theatre Commons, a free and open platform that amplifies progressive and disruptive ideas about the artform and facilitates connection between diverse practitioners, whose founders supported the initial gathering in DC from which the LTC emerged, agreed to serve as the producer and co-organizer of LTC’s first event, the 2013 LTC National Convening held in Boston, and also became a philosophical thought partner as the LTC embraced the commons model in its own organizing practices. HowlRound, then a brand-new initiative housed at Emerson College, was itself learning how to function as a knowledge commons, so it made sense to support the emerging LTC as another embodiment of the commons. Throughout their partnership, HowlRound amplified the work of the LTC through documenting all LTC programming on the HowlRound journal, and livestreaming events on HowlRound TV.
The work of the LTC since 2012 has responded to the invitation to do what’s necessary to support the field of Latine theatre making without duplicating the efforts of otherLatine identified arts entities. It is organized through four tenets of practice: Convening, Scholarship, Advocacy, and Art making.
Convening: During its more than a decade of operations, the LTC has produced fifteen convenings around the United States, including the Encuentro Convenings and the Carnavales of New Works, which have fostered multiple artistic collaborations such as the national productions of Mother Road by Octavio Solis and Our Dear Dead Drug Lord by Alexis Scheer. The LTC is looking forward to convening at the Carnaval of New Latinx Musicals in San Diego, CA (Summer 2026).
Scholarship: The LTC has advanced the field of Latine theatre and performance scholarship through symposia and publications that chronicle the field, its history, and its potential. The LTC looks forward to the discussions that emerge at the Forum on the Future: Language, Technology, and Provocations in Multilingual Theatermaking in Washington, DC (Summer 2027).
Advocacy: The LTC has advocated for Latine theatre makings and makers, including the Sol Project and the Latinx Playwrights Circle, and demonstrated allyship for other community-centered theatre makers, often working with HowlRound to share LTC position papers in the HowlRound Journal. We will continue to raise our voices on behalf of the Latine community and our allies throughout the field and beyond.
Art-making: The LTC provided spotlights, workshops, and Colaboratorios to strengthen the aesthetic skills of Latine theatre makers creating impact throughout the field. In 2017, the LTC was honored to receive TCG’s Peter Zeisler Memorial Award, which exemplifies “pioneering practices in theatre, are dedicated to the freedom of expression and are unafraid of taking risks for the advancement of the art form.”
The first Actor Training Laboratorio will be held in Madison, WI (Spring 2026).
In its new organizational structure, fiscally sponsored by Producer Hub, the LTC will continue to grow its legacy, grateful for the strong foundation it grew with HowlRound, stewarded by an evolving Steering Committee of 38 theatre field professionals and 36 Advisory Committee members. The legacy of the LTC and its history with HowlRound will remain present in the vast materials published on the HowlRound site since 2012, and the future will bring more collaborations, no doubt.
The Latinx Theatre Commons (LTC) is a national movement that uses a commons-based approach to transform the narrative of the American theatre, to amplify the visibility of Latinx performance making, and to champion equity through advocacy, art making, convening, and scholarship.
Our values include Service, Radical Inclusion, Transparency, Legacy & Leadership Cultivation, and Advancement of the Art Form. The actions of the LTC are championed by a volunteer Steering Committee made up of passionate Latine theatremakers and scholars from across the country. The LTC Steering Committee a self-organized collective that has chosen to adopt a commons-based approach to advocate for Latinx theatre as a vital, significant presence in the New American Theatre. We foster emergent national leadership through an organic organizing method of activating our networks and expanding our circles of connection. We seek to celebrate diverse connections, honor our past with reflection, and envision our future with optimism and enthusiasm.
HowlRound, located in the Office of the Arts at Emerson College, is a free and open platform for theatremakers worldwide that amplifies progressive, disruptive ideas about the art form and facilitates connection between diverse practitioners. Using a commons-based approach, HowlRound invites open participation from theatremakers worldwide around shared values and envisions a theatre field where resources and power are shared equitably in all directions, contributing to a more just and sustainable world. For more information visit howlround.com.
Producer Hub is a connective space for independent producers, artists, and other arts workers. The mission of Producer Hub is to provide independent producers and artists, at every level, with the community, mentorship, education and resources to create work, realize their full potential and make lasting contributions to the performing arts field. For more information visit producerhub.org